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Black Lodge

by Lolfa Binc

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1.
rizzle my margaret roveing my copper hoe the doors palatial penetrate & ponder dogson nuts in coco here, forum my spastic tiramasu my auden spur my glial scurge antihistamine my mitre stratus sunsegment settle my garden rosary my gore pray the self pregnant svengali disco my shadow columbus my song ariole my woman sanguine mung bean my fame, speck breaded drink psi my tastes i’ll endure a mauling arpeggiate in lung-wah seraphim not faun ardour hippogriff my angel hyperbolae my light-grey sabbuteo prevent my incarcaration cure the grocer on piaggio seminal nell’s eye squiss the putz in dorsal avenge in green assuage the saddle god is beautiful nero vanguard low stetson smile my imbroglio pen by cosy intriguing dove’s vaginal & biforkate stan’s megalith pretend that my ragged gold odessa rapunzel my cassette legume my bagueatte marinade my cassirole torture my jam-tart sven my vision salt my dorito’s arse putt my port-hole batter my burrito the biscotti scheme magnanimous impassionate capercaile denude some povo toast the ogling bus of bogans say honey huppla schematic my couch the hated night with mouth mordent rotovate the sea tsunami the country paper my pox taste my spoors leather my prudence let my granny’s vortex be sheer
2.
wandered thus. delightful & deeply translucent tax & surtaxing earth mountains moving toward 2 dissolution social obligations mange de la plain beyond carp in-gathering hobby malachite heart coromandel tulip blood bobbin turned secular & glueless terminating in claw and ball feet biscuits our main ration “terrible! & alone? cheaper carton pierre will not disfavour of the medium dilatory optimised the weather compelled to meet it only leo life changer malachite heart intransigent you rascal weather prospects a minatory life changer regarding my womanhood modesty mordent & sorry when he cut his lip contemporary jappaned subjects—flower triple c’scroll teapoys orders, a saturation mia will start chewing you serpentine malachite heart evening was reached uxorious trés maron trop bizarre was not beautiful course jokes very cool whiskies old dear full stop the greek massive export diana the huntress, inacticulate malachite heart botryoidal his blow sorry lost & finicky severe- d shaped ends rapidly became carved and pierced shelves & brackets azurite lyric settee declined enumeratious half breast superstuctures malachite heart pure vitality is inlaid stringing the lines where ebonized or gilded malachite heart claw, I claw vitality prospect your whiskies away trooper blow rascal order that’ll rifle pearl crazy weather vitality alone?  rascal blood robbin I massive only coromandel translucent tax bood bobbin turned secular pierre & delightful  malachite heart triform trooper fault line & pride inspected hop that’lll order that’ll rifle parlour success it look to stand your horses functional bullk that’ll life changing manner top for the fingers observing you hell & gone away finicky grumbled malachite hearts I make flesh carton meet compelled surtax earth I womanhood start servitude makes me crazy orderly ganesh they’d lost apparently blow silence I love with love of pearl flesh
3.
RIVERRUN rag in hedge holed, riverrun patrwm it’s picture under springs of tractor wide shuddering metal encompass duskwander between peak&trough tress dragged from the tract oar haul hay bale hayrick encumber in circled grass leaf—then enfolded in web’s syntax under the sun a layer on oil in the clay residue of clay in the oil ripples that now are in sense’s mirror glass start on dawn laceration to illuminate love from base olfaction the derivé _today through the meadows whiff of stubble & sudden drenches, trenches thrillsedge sight sigl-i-gwt rick high raven hoarse inheritance’s method in mindeye sap’s genealogy covert insight of town blonde hair & thornweft along the field & race mossy grip fillip, fence a snatching of vision hours of oracle day descends palorwise eyeball stare gap articulation fire, fine dendritic rhizomic hedge rootstock phloem succour oak fructify onanation by seed & by its word etched in fruit the world & it’s machinations public are the hidden tendril for the rag’s hour rag in hedge holed & words. EEL transliteration Llysywen - Euros Bowen Region in the gyre” lonely holopelagic water cause dimpled vivacity strata shine nacreous poetic words clear chiller sargassum impel under Bermuda mud Juan de Bermudez ology Irish sea rebel not Thomas but Bowen true transposition ford (deathrow) runn alluvium carries her tremor to the river’s parenthesis in / from the gyre ((spume)) in holopelagic Llangywair * flowering bright tilde swerve free lasso before instinctual lust against persecution trysting Sargasso serpentine tongue cirque impel Bermuda mud fetters of distain ripped to shreds ripple raspberry fury bloodfast electromagnetism in the gyre Llangywair impelled in the margins of her birth. WEATHERVAIN freefall in the opening air for our sight, breath churning scoopfuls of heavy sky” bantams free feather in gold their hue in moonspell bird fourcornered pen raillery steepling to towering to give ordnance to miasmae, zephyrs timely fare careworn circumlocution comely folk their outline now in night’s land ship & infinitely since looking glass lustred landing the townstolen things under light’s tyranny.
4.
Toms green jumper arlechwedd a discordance wet vein gradient on gable-end mynydd & line depth manifest ribbon textured the cut & hollt hewing hydrofractured coin gwlybanieath licks mica subcommisioning a strike bone-grown constraints looming brothers a priori dyffryn granitoid harmony cynghanedd intergrown * ar lech bachog ar lech ochrau ar lech luched ar lech bochau * plateau by contactor carbonate not the mountain paleophotography iris beyond the shillings colomb - the electric pigeons flock in vein management deliberate percentage flowers across tectonics fine grained unspeakable rocks illustrates geochronology of the fluids granites forbade redress lower by strike there suffer flinthit outside deputation, the step-wise deposits sinc bach sinc mawr sebastapol ar lech sgrech sygrafell ar lech chwech chwistrell ar lech frech frith ar lech dy agwedd * st anne’s pine fringe victoria anther dolomite rized nid oes bradwr shcistosity of cut & fear & suppression nid oes cynffonwr long sepaarates the zonal burn low-down-staged serpend town a demographic metasediments arc & fade overtones thirds & metaturbidite shopkeepers ruined diagenesis unto death “bradyrs” composition * storage shuters remetamorphosed political composition quarryman’s apatite misery & sheer mouth overprinting five-beat lord food is data a chapter of higher intracrystalline rioting only syntactic penrhyn men consider his made limbs; mountain year bastard masters accrete suffering ar lech bechgyn ar lech trachwant ar lech echwyn ar lech bechod
5.
Adda 05:29
adda / Taranon I mae'r adda dan gadarn goncrit geirdarddiad y llif; twf tonnau fi, penswigen ar fws— chwarter cwsg gammy braidd - sbïo gwnaeth 'jamp' ysgawen o blith wydr ymhlith plisgyn 'ieith' dadgladdaist y gyffelybiaeth o'r “badau a dynnir gan geffylau” y gair dan y gair llinellau aneglur yn ngaeffos fy ngarddwrn caethiwyd gwaed glesni ac ymbelydredd trenau yn suo dros glawdd unsyth-rydd is-fyd danddearfyd dim ond ansoddeiriau sych ar gwlithder d'enw II gwasgarwn synnwyr mewn corneli cudd y gogledd gwela’ gambr maen a cherrig dŵr yn drwm ar y glust sibryda' geiriau disyml - llanw ar enw cytbwys dwy ‘a ‘ dwy ‘dd’ wnaeth bechu am ein siopa neu ein pechaduriaid, âf adra o hel trugareddau adda drawsffurfiwyd at Taranon ymhen draw braich dur tre heb afon, arallfydol di gallon pensaernïaeth Mae’r Adda dan gadarn goncrit geirdarddiad y gwir; tŵf tonnau.
6.
Id 07:46
Lyrics inspired from Poem by Rhys Trimble: Megaist ofn mil myidd mcgis Dyfnwal Moelmud, Mal awch awyr taran nawmil a chwarterud; Miloedd ni'th arhoent mewn ymladd o tharawud, Mwy na adar yn y man y llidud. Ni bu wayw a chalon i fab ochelud ; Ni bu lewach calon, ni bu lai awch cilud ; Ni bu gawr a safn wyneb y gaer y safud ; Ni bu'n oes y cewri un byw nus curud, Neu belydr nas arhocst ni bu Icidr nas rhestud : Ni bu leisiau gloywor. na blisiau a glowud ; Ni bu o'r oes bon wyncbwr wcdl ci sud ; Ni bu'f gwr a wnelai er bwrw'r gwyr a wnelud ; Ni bu i'n oes hyd hyn | un bwa nas tynud (1) ; Ni bu vr a fwriai'i- un bar a arferud ; Ni bu lien Syr Hywel na neb nas arhoud ; Ni bu vn er teir oes, ni bu wayw nas torrud.
7.
Like a Star 06:18
cut-up with flowers when i signal my love is occasionally cylindric ferrulate bare foot music lanceolate wet meadows swimming where your waters were deep taxales of dogwood & stonecrop alternifolium a spreading star of loving or sleeping in every bed that offered subsidiary feathers deeply pinnate a bonfire ossuary sepulcher i will speak to you of black horehound calyxes funnel shaped well-spaced whorls of my love is pink-brown, massively branched spright, hairy corollaeate oval leaved waist-like, enclosed in spate pinnatified & segmental enlarged into a sheath blackish, rigid, forward pointing tapered, remarkably vigourous ovule-borne, shoot & foliage speckled, grooved, short in dense pubescence, glabrous shaggy, pale, shiny-grey mucronate, slender acuminale terminal budded, domed, stringy sided sessile clustered, long boled, short boled angled & winged, fruit golden slowflowing, inlorescen grass-like, glass like uch branched, tiny, clustered bud-dark, brown, semi-evergreen common in streets & gardens a fine sight in fruit pendulous, resinous outlined unusually scale-tipped highshowing, drooping, tubular spoon shaped, like a star
8.

credits

released June 16, 2017

Rhys Trimble Poet and vocalist
Tom Harrison Bass
Emma Sunerton-Burl Drums
Mixed and produced by Dave at Creative-Mixing.com

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Lolfa Binc Wales, UK

RHYS TRIMBLE:VOX
TOM HARRISON:BAXX
TOMOS WALKER
DRUMZ

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